Relic is the only book this semester that has
made me squirm on the first page.
“Lighting a cigarette, he applied its tip to the
forest of ticks on his shin and ankle.”
The forest of
ticks. Have I mentioned how
horrifying I find ticks? This has no particular relevance to the rest of the
novel, but it still deserves a mention. I shuddered on the first page. Good on
you Relic.
As for the rest of the story, I found it to be
more of a mystery than a horror. The pace was slow at points, and there were
times it dragged for me, but the good moments of the novel made up for the low
points. What Relic lacked most for me
was the presence of strong characters. The only character I developed even a
tiny attachment to was Smithback, and this was due to his obnoxious quirkiness,
and possibly the moment of complete understanding I shared with him when he hit
the buffet table and refused to be stopped even by absolute catastrophe.
What I enjoyed most about Relic was the setting, and the science. The giant labyrinth of the museum,
stuffed with countless artifacts was at the same time lonely and compelling. I imagine
if I was lost in the museum vaults, alone, afterhours I would be a bit apprehensive.
Yet, at the same time, the beautiful realism and details that went into
crafting the museum made me really want
to go to one. And unlike the frozen Artic wastes, or vast spacecrafts, I can
actually go to a museum. Relic actually inspired me to seek out first hand experiences
with the diversity of other cultures and time periods. I am now planning a trip
to the Smithsonian. Relic will
doubtlessly be on my mind the whole time.
The other aspect of the book I enjoyed was the science.
Natural science has always been an interest of mine, and I dabbled in a fair
amount of biology during my undergraduate degree. Though the science in Relic
took its creative liberties, it was clear to me it was based upon the author’s
solid understanding of accurate science. One of my favorite puzzles in the
novel was figuring out the machine’s predictions before the scientists could interoperate
it for me.
Speaking
of the machine’s prediction’s… what a fascinating beast! I found myself more
intrigued by the museum beast than I was frightened, but this intrigue kept me
turning pages. Though we never got to read in the POV of the beast, it still
became a sympathetic monster to me. It was the last of its kind, living in a
squalid and pitiful environment compared to the lush, green, expanse of its
native home. It was drawn to the figurine of itself. It appreciated things of
beauty. Then the beast was slowly hunted down, collecting bullets and injuries
as the quiet lonely existence it had was disrupted, then destroyed by ignorant
humans. I’d be pissed too. I’d probably go on a murderous rampage too. The beast,
despite the opinions of several characters, wasn’t evil to me. The novel
succeeded in turning the beast into a natural phenomenon, that like so many, is
threatened and destroyed by the advancement of human society. It was a symbol
of an old world, still wild, that was lost before it was fully understood, like
the dozens of plant and animal species lost every day in the world’s
rainforests.
Because
I felt this way about the beast, I did not like the epilogue. I felt making the
beast into Whittlesay and then having Kawikita attempt to harness the plant
that caused the transformation, undid some of the work I appreciated most in
the novel. I would have preferred if the beast were a natural born phenomenon,
or simply one of the Korthoga, transformed by the virus. This adaptation seemed
to destroy the ancient roots the beast represented to me. I prefer the
conclusions Margo and Frock drew at the end of the novel.
Now,
one last thing. While the science for the most part impressed me with its believability,
this made the one flaw stand out in stark, annoying contrast to me. “All big
game-lion, water buffalo, elephant- have eyes on the sides of their head”
No.
Wrong. Lions, like all predatory mammals, have forward facing eyes. Predators
have eyes in the front of their heads because it gives them the advanced depth
perception they need to calculate distance to their prey. Herbivorous, prey
animals have eyes on the sides of their heads to give them a wider field of
vision to spot stalking predators.
I was fine with the epilogue's revelation, but when I think about it, I do prefer Frock's theory of a Mbwun-like creature evolving whenever life has adapted too well to its environment.
ReplyDeleteMaybe Kawakita's just crazy.
I enjoyed the introduction chapters as well. The jungle is spooky, with all the creepy crawlies and hiding places.
ReplyDeleteI had this book in the back of my mind when I got a chance to go to NYC a few years ago and visit the museum for real. I remember being disappointed. Not because it wasn't awesome (it was) but because the parts that are open to the public are a teeny tiny fraction of the actual building. I didn't see ONE catacomb full of dusty artifacts to explore.
I thought the same thing when the lion eyes were mentioned.
ReplyDeleteI also didn't like the ending. I haven't read the sequel, so I don't know if the epilogue was supposed to set the reader up for the next book, but the epilogue felt like an afterthought. I preferred the theories in the last chapter to the epilogue.
This is one instance where I liked the explanation in the movie a lot better. Margot figures out with the help of the computer that the beast does have human parts to it, and they do a dna match up and find out it's Whittlesay ( I think his name is Whitney in the movie). It punches the horror and sympathy of it home a lot more.
ReplyDeleteI think if the epilogue was cut, the theories Frock and Margot tossed about would have made for a good end. It would have brought back that sense of mystery to the story.
ReplyDeleteThat being said, I did still like Whittlesay as the monster. Like Christina said, it's an extra punch of horror.